“Bugs” – October 1994
Vampirella’s costume is designed with one thing in mind: sex appeal. It does its job well and has helped the character endure for 40 years and even helped thrust (no pun intended) her prominently (no pun intended) into the forefront of the nineties bad girl craze. What amuses me the most about her costume, though, is how well it acts as a barometer for the sort of story you’re about to get: the skimpier the costume, the less the creators care about story and the more they care about boobies. Take this issue’s cover by Jim Balent, featuring a dental floss version of Vampirella’s traditional red one-piece that is very much in keeping with the overly sexualized stories and art featured in Balent’s work on Tarot. This cover suggests a nineties era boobs before plot mentality, but the interiors suggest something altogether different. Arthur Adams, who drew our feature, is also well known for rendering sexy, buxom babes, although with highly appealing artistic flair and talent for character acting that rivals Kevin Maguire’s. His Vampirella costume is more modest than Balent’s, actually covering most of her chest and giving her some small dignity. Adams is also a damn fine monster artist and he gets to put all of that on display in this story, which sees Vampi trying to save a group of innocent bug monsters from confused and bloodthirsty townspeople in a Kurt Busiek penned version of the well worn “the monsters are the good guys” horror trope.
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